Faux Bossanova: Volume 2

by He Dark Age

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  • Record/Vinyl + Digital Album

    These records were cut individually, in real time using a lathe diamond stylus guided by hand at Small Run in Melbourne. As usual, we only initially pressed 3 copies - one each for ourselves and another for sale. That one for sale was duly sold, but if you really want the vinyl we can get Small Run to press another copy. It will take time though, hence the long ship out period.

    Includes unlimited streaming of Faux Bossanova: Volume 2 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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1.
Take on the basket Take on the life everafter Take on a dream And come along with me Check your hat and goat Check your spider's look Marry the married man And come along with me To the ends of the earth To the start of it all Heaven and hell yeah They're man-made things Heaven and hell yeah Are man-made things Burn all your clothes Hack off your smoking hair Realise the crimes And come along with me We're crap fallen stars We'll go back to where we are Wanted not needed So come along with me To the ends of the earth To the start of it all Heaven and hell yeah They're man-made things Heaven and hell yeah They're man-made things Catch a fallen star, put it in your pocket Catch a fallen star, put it in your pocket We're crap fallen stars, put us in your pocket We're crap fallen stars, put us in your pocket In a lock-up In a lock-up In a lock-up In a lock-up
2.
The cobra's constant calm Night dissolved in bronze It's not of what I lack (What he lacks) Or where I'm at (Where he's at) The closing door In the clothes of dawn Our little lies (His little lies) Are all we have (It's all he has) Peaking out in the shade The shade of the day Rolling back in the skull And peaking out in a really bad way A lot like my life This thing will be breaking down In 5-4-3-2-1 Particularly so Particularly so You know the demons come They wander on and on And cross-communicate (Cross-communicate) Yeah, you heard me right (You heard him right) This is not their home They dome upon their own Upon their sorry bones (His sorry bones) Upon their fool's gold (His fool's gold) Peaking out in the shade The shade of the day Rolling back in the skull And peaking out in a really bad way Peaking out in the shade Peaking out in the shade In a really bad fucking way A lot like my life This thing will be breaking down In 5-4-3-2-1 Particularly so Particularly so
3.
Yes it's true I tried to kill you When I shut the house And put the gas on But then I slipped Hit my head Unconsciously I ended it all But you of course You were out of town With all your friends Such beautiful friends I wanted the fame of the callous killer And a name feared by all But I lost my balance Never recovered I slipped into another world But you You and your friends All went on To the fame I craved Died in my 40s Outlived by my parents Died in my 40s And left a small fortune Died in my 40s Outlived by my parents Died in my 40s Left a small fortune In unpaid debts
4.
Today, all day I've been revolving Like the circus bear And now The window open Warm light and air Drain slowly in Bringing all I remember And fresh noise as well Mid-ranged and steady It sits down beside me Then the moment dissolves I feel the weight of the night Pulling me down Still I hold out an ear For the world of strings Shallow breathing The last train goes by The night's easy hum Strange This picture of me A spotter of trains Counting hairs on his legs Long books of numbers Tattered and torn Warm in the fire Of the passing time While all that's around me Moves like a train Fast disappearing From my closed eye's view Then the moment dissolves I feel the weight of the night Pulling me down Still I hold out an ear For the world of strings Shallow breathing The last train goes by The night's easy hum For the world of strings Shallow breathing The last train goes by The night's easy hum
5.
The vestibule from yesterday Where we said goodbye, went separate ways The vestibule that I see today Has a hold on me Won't let me be
6.
The Shove 03:39
Starting over, leaving behind A crushed past in an iron grid Stripped flesh of the hurting kind Abandoned in an Iliad Best forgotten, distant lives Echoes of scudding grey skies White foam on endless seas A lightning field in disarray CH: Push came to shove And it ended our love A tiny moment in two tiny lives Forgotten now like this, the last line Roll, crumble, fold, bend Crease, shave, slice, trim Drop, remove and simplify Always simplify Push, shove, begin, end Fight, suffer, ignore, pretend Order, form, anger, fatigue Lever, lever, leave her, leave her CH
7.
You know where I could never know And you care where I could never care I stole the last breath From a dying child then left CH: Where do I belong? Where do I belong? In this song Yeah, in this song Now there's nothing for me on this day And there's nothing left for us to say I stole the last kiss From a crying bride then left Oh, I left CH As God is my witness I never did want this As God is my witness I never ever wanted this As God is my witness I never did want this As God is my witness I never ever wanted this
8.
Oh the last I heard from Shirley She was married to some guy Living south of Kansas City Too bad I was so shy The last I heard from Linda She was looking much the same She was married to some guy Too bad I couldn't play her game I couldn’t play her game 'Cause Linda was the name of my sorrow And Shirley was too But now it's you And the last I heard of Mary Lou She still hadn’t learned to sing She was married to some guy Too bad I couldn't buy a ring And the last I heard of Jane Everybody knew her name Star of something or the other Too bad I had no fame Too bad I had no fame 'Cause Jane was the name of my sorrow And Mary Lou was too But now it's you And the last I heard from Marian She hadn't changed a bit Everything was in its place Too bad I didn't fit And the last I heard from Susan She still nursed a fickle flame And waited in her patient way Too bad I never came Too bad I never came 'Cause Susan was the name of my sorrow And Marian was too But now it's you
9.
Staples 02:30
I don't know who I am anymore And I don't think I even care Everything and nothing at the same time I might know though what I am Just staples displaced Or a forgiveness forgone by me Somewhere and nowhere at the same time The hear and now And the been and gone It's all the same I'll leave you alone To have and to hold To be dissolved In your hopes and dreams And visions in life Your hopes and dreams And visions in life And where will I be In five fucking years It's not for me And never will be It's not for me And never will be It's not for me And never will be It's not for me And never will be It's not for me And never will be
10.
I'm licking clean my fingers to spite my hand I'm drinking holy water to purify and changing his words His words with mine More alone than ever, than ever before Come in out of the rain Put your feet on my pain And this place is colder than ever before And I'm afraid of what I don't know Would that be were so, you old man For we are just scraps and we belong on the streets Come in out of the rain Put your feet on my pain No success With my regrets A tiny mind A long night ahead I'm just trying different ways to say the same thing One or two different ways for the same thing And I just crushed another's words with mine More alone than ever, than ever before Come in out of the rain Put your feet on my pain Come in out of the rain My old friend you're back again

about

Originally intended to be the second record in a Faux Bossanova double LP release, that plan fell away because of jacket issues meaning this LP is released separately ... or a 2x12" release maybe. This one probably should be called Faux Faux Bossanova because the bossanova link is very tenuous indeed. Indeed over half the songs here were written for The Sump in the mid-90s but were never recorded. But, as always, fuck it, who cares?

Newsome
Feb 2020

credits

released February 12, 2020

All instruments played by Tony Milner and Paul Newsome.

All songs © Milner/Newsome, except 'Name Of My Sorrow' - words and music © Jimmy Webb

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He Dark Age Brisbane, Australia

He Dark Age is a collaboration between Paul Newsome (Pork, The Sump etc) and Tony Milner (Swell Guys, No-V-Bleet etc). We were mostly active from around 1986 to 1990 or so in Brisbane, but have started working together again with new releases from 2013. ... more

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